Typically, I’m not a stickler for rules surrounding magic in fantasy worlds. For example: magic is used throughout by many characters, but never is there a definitive answer to how exactly it works or where it comes from. This becomes a problem, though, because the plot is spread so thin across these various locales and characters that nothing feels deeply explored or explained. The story traverses the three existing Londons much like Kell can, introducing new characters, more information on how magic works in each, and some history. While the premise proves interesting, the narrative is hindered by sheer scope. As mentioned Earlier, Kell is one of two remaining magicians who can travel between Londons at will. Red and White exist in separate worlds completely but share awareness of the other Londons. Grey London is “our” London, or “normal” London, if you will, and knows nothing of the others save for the occasional whisper. Three iterations of the glorious city feature prominently-Grey, Red, and White London-while the fourth (Black London) has fallen, with only charred remnants in its wake. London plays host to the narrative, but it’s not just one London. Schwab wastes no effort in engaging the reader and encouraging investment in the story’s characters. None of the main plot points sounds particularly original on paper-a powerful wizard/last of a dying breed, a thief who wonders if there’s a better life out there, and a suspicious/probably evil magical object-but the characters are built with a steady, well-written hand that exudes charm. The story pits royalty against royalty, brother against brother, and, at times, Kell against Lila. Kell and Lila are thrown into a haphazard journey through various Londons after Kell is attacked by mysterious beings and the two encounter a very suspicious magical object that oozes evil.
Lila, our second protagonist, is a pickpocket who’s down on her luck and thirsty for adventure.
Kell, one of two protagonists, is also one of two remaining Antari, a magician able to travel between Londons (more on that soon). The book kicks things off with ample promise, backed by vivid characterization and sharp descriptions of the world. Instead, I left the book wondering whether a structure comprising those fantasy building blocks would stand long enough to entice me into the sequel. At times, the pieces come together, teasing the reader with apparitions of a grand storytelling fortress built on strong characters and expert world-building. Schwab’s A Darker Shade of Magic collects all the building blocks of a great fantasy novel, but mostly leaves them on a shaky foundation.
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